Anyway grew out of the same uncertainty Anamanaguchi faced on 2019’s [USA], a record that pushed the band’s digital language into the physical world: American dread, internet overload, and the feeling of living inside systems too big to see. Where [USA] found real emotion bursting through glitched production and vast digital landscapes, Anyway turns toward the people inside that machine: four friends trusting in each other, making a band-first...
